It works with the L-mount lens system supported by Panasonic and Sigma, offering 40 compatible native lenses. They’ll also allow for internal 10-bit 4K 60 fps through the use of a more efficient HEVC (H.265) codec. The German company has promised firmware updates next year that will improve autofocus, particularly in the area of eye/face and body detection. It also includes a Cine mode that lets you quickly flip between photo and video settings.
While a bit confusing compared to the S1’s tab-based menus, it does give you easy access to your favorite settings on the first page. Leica uses their own image processor and menu system similar to the one on the SL2.
It also supports V-Log and HLG recording for HDR work or to max out dynamic range, and there are no time limits on recording. Footage should be crisp in that mode since it’s downsampled from a 6K sensor area.
Leica sl2 full#
Full frame 4K shooting is possible at up to 30 fps with 10-bit 4:2:2 recording both internally and externally. Lens type is automatically detected with the Leica M to L-Mount adaptor and these lenses offer unique classical rendering performance. You can shoot 4K at up to 60 fps via an APS-C crop, with 8-bit 4:2:0 internal and 10-bit 4:2:2 external recording. EyeRes OLED EVF, 3.2' 2.1m-Dot Touchscreen LCD, 5K/DCI 4K Video HLG & 10-Bit Recording, ISO 100-50000, Up to 20 fps Shooting, Contrast-Detect 225-Area AF System, 5-Axis Sensor-Shift Image Stabilization, 187MP Multishot, Dual SD UHS-II Slots. The SL2-S handlse video very well, with specs again similar to the Panasonic S1. Buy Leica SL2 Mirrorless Camera featuring 47.3MP Full-Frame CMOS Sensor, Maestro III Image Processor, 5.76m-Dot 0.78x-Mag. With the mechanical shutter, it can shoot 9 fps with no continuous autofocus. Also, it can only handle 5 fps shooting with continuous autofocus enabled, so the 25 fps shooting speeds are limited to fixed autofocus with the electronic shutter. From cables and software to kits custom designed to fit your tethered shooting needs, finding the right gear for your camera is essential. That generally yields accurate autofocus for objects that don’t move too much, but it’s not ideal for fast-moving subjects or video. Like Panasonic’s mirrorless cameras, it uses contrast detect autofocus with depth mapping.